The website of Robert A. Douglas, author of That Line of Darkness, Encompass Editions, 2012 and 2013
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Thursday, 26 October 2017
Life Institute: Week Five Repairing the Damage wrought by war and totalitarianism
Colin Firth in Railway Man
The American military learned that men will
inevitably go mad in battle and that no appeal to patriotism, manliness or
loyalty to the group will ultimately matter.
—Paul Fussell, Wartime
“It doesn’t get to me very often except when I talk
about it, and I seldom do that. It’s just something that does not go away. It’s
something you have to endure the way you endured the war itself. There’s no
alternative. You can’t wipe out these memories. You can’t wipe out what you
felt at that time or what you knew other people felt. This is part of your
whole possession of life. And I suppose it does some good."
—Paul Fussell, quoted in The War: An Intimate History 1941-45,Geoffrey C. Ward and Ken Burns
I have had a wonderful life….But the dynamics of war
are so intense, the drama of war is so emotionally spellbinding, that it’s hard
for you to go on with a normal life without feeling something is missing. I
find there are times when I’m pulled back into the whirlpool. The intensity of
that experience was so overwhelming that you can’t quite let it go.
—Quentin Aanenson, quoted in The War
For my review of the book and the film Railway Man that explores "battle fatigue" after the Second World War see
Some people, you tell them to mind their own business, they do.
Other people, you tell them
the same thing, they get a curious kind of tingling sensation, and go leaping
after other people's business like a retriever in a good mood. Sonja
Rosenberger is the other kind of person, and "The Nasty Girl" is the story
of what happened after the town fathers in her village in Bavaria told her not
to go poking around in the archives to discover what went on during the Nazi
era.
Before the authorities made
what turned out to be that major miscalculation, Sonja was an unremarkable, if
high-spirited, local schoolgirl, who had won an essay contest that provided her
with a free trip to Paris. But then another contest came along, and Sonja
thought maybe a hometown essay would win it. Something along the lines of
"My Hometown in the Third Reich." The town fathers did not share her
enthusiasm. The official line in her home town was that the Nazis had not made
much of an inroad there, but when she went to the village library to dig
through old newspapers and archives, she found them closed to her, and she grew
determined to discover what the city was trying to hide.
—Roger Ebert
The
directorial feature debut of Giulio Ricciarelli, “Labyrinth of Lies”
has the dogged tone of an honorable, well-made television movie from the
late 1950s or early ’60s. Its most admirable trait is a refusal to
sensationalize its subject. There are no flashbacks to grisly acts of
torture and killing, no scenes of skeletal inmates huddled behind barbed
wire. Once the trials begin in 1963, witnesses are shown testifying,
but their verbal accounts of what they endured are excerpted and made
into a montage, their words camouflaged by Niki Reiser and Sebastian
Pille’s soundtrack, which, although mournful, is never mawkish. There
are no emotional meltdowns, no grandiose speeches.
Review: In ‘Labyrinth of Lies,’ the Frankfurt Auschwitz Trials Break a Conspiracy of Silence By STEPHEN HOLDEN New York Times
In The Reader, Michael Berg (David Kross), a teen in
postwar Germany, begins a passionate but clandestine affair with Hanna Schmitz
(Kate Winslet), an older woman who enjoys having classic novels read to her.
Then Hanna mysteriously disappears, leaving Michael heartbroken and confused.
Years later, Michael, now a law student, gets the shock of his life when he
sees Hanna on trial for Nazi war crimes.
"At age 98, director (Aron) Goldfinger's grandmother passed away, leaving him
the task of clearing out the Tel Aviv flat that she and her husband
shared for decades since immigrating from Nazi Germany in the 1930s.
Sifting through a dense mountain of photos, letters, files, and objects,
Goldfinger begins to uncover clues that seem to point to a greater
mystery and soon a complicated family history unfolds before his camera.
What starts to take shape reflects nothing less than the troubled and
taboo
story of three generations
of Germans - both Jewish and non-Jewish - trying to piece together the
puzzle of their lives in the aftermath of the terrible events of World
War II."
"Gorbachev
was a visionary who changed his country and the world - though neither
as much as he wished. Few if any, political leaders have not only a
vision but also the will and the ability to bring it to life. To fall
short of that, as Gorbachev did, is not to fail."
-William Taubman, Gorbachev His Life and Times
Over the course of Yury Andropov’s 15-month tenure
(1982–84) as general secretary of the Communist Party, Gorbachev became one of
the Politburo’s most highly active and visible members; and, after Andropov
died and Konstantin Chernenko became general secretary in February 1984,
Gorbachev became a likely successor to the latter. Chernenko died on March 10,
1985, and the following day the Politburo elected Gorbachev general secretary
of the CPSU. Upon his accession, he was still the youngest member of the Politburo.
Gorbachev quickly set about consolidating his
personal power in the Soviet leadership. His primary domestic goal was to
resuscitate the stagnant Soviet economy after its years of drift and low growth
during Leonid Brezhnev’s tenure in power (1964–82). To this end, he called for
rapid technological modernization and increased worker productivity, and he
tried to make the cumbersome Soviet bureaucracy more efficient and responsive.
When these superficial changes failed to yield
tangible results, Gorbachev in 1987–88 proceeded to initiate deeper reforms of
the Soviet economic and political system. Under his new policy of glasnost
(“openness”), a major cultural thaw took place: freedoms of expression and of
information were significantly expanded; the press and broadcasting were
allowed unprecedented candor in their reportage and criticism; and the
country’s legacy of Stalinist totalitarian rule was eventually completely
repudiated by the government. Under Gorbachev’s policy of perestroika
(“restructuring”), the first modest attempts to democratize the Soviet
political system were undertaken; multi candidate contests and the secret ballot
were introduced in some elections to party and government posts. Under
perestroika, some limited free-market mechanisms also began to be introduced
into the Soviet economy, but even these modest economic reforms encountered
serious resistance from party and government bureaucrats who were unwilling to
relinquish their control over the nation’s economic life.
Repentance
In Repentance the
day after the funeral of Varlam Aravidze, the mayor of a small Georgian town,
his corpse turns up in his son's garden and is secretly reburied. But the
corpse keeps returning, and the police eventually capture a local woman, who is
accused of digging it up. She says that Varlam should never be laid to rest
because he was responsible for a Stalin-like reign of terror that led to the
disappearance of many of her friends. Although the film may appear to be
slowing moving for North American reviewers, it is worth your patience as there
are some very powerful surrealistic images that convey the horror of Stalinism.
Also worth noting is how the son of Varlam justifies his father's activities
while the grandson is furious.
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